作品への情熱
大地を紡ぐ陶芸
陶芸家 山下公敏の作陶は、地元である備後地区の素材に根ざし創られています。原土を手に取り、土と水と火の声を聴き、それを元に作陶されています。その土地の特性、粘り、質感、色彩 それぞれの表情を持った作品に生まれ変わります。
Pottery artist Kimitoshi Yamashita’s work is rooted in the materials of his hometown in the Bingo area. He takes the raw clay in his hands, listens to the voice of the earth, water, and fire, and creates pottery based on these sounds. The characteristics of the local soil, its consistency, texture, and color, are all expressed in each piece of pottery.
作品が出来上がるまで
陶芸家 山下公敏が土地の恩恵と波長処理を施した原土を一気に形にしていく瞬間。
森羅万象のエネルギーと共鳴し、異次元からのインスピレーションを受け取りながら作陶しています。
作品は、まさに神秘的な変容を果たしたかたち、ただ物質的な形を持つだけでなく、それは神羅万象のエッセンスを内包しており、その存在自体が宇宙の響きを奏でています。
単なる技術や芸術だけではなく、宇宙のリズムと調和しています。完成した陶器は、単に物質として作り上げられたものではなく、異次元からの祝福を受けた作品です。
The moment when potter Kimitoshi Yamashita gives form at once to raw clay that has been treated with the blessings of the land and wavelengths.
He creates ceramics while resonating with the energy of the entire forest and receiving inspiration from other dimensions.
The work is truly a form that has undergone a mystical transformation; it not only has a material form, but it contains the essence of all things Shinra, and its very existence itself plays the echoes of the universe.
It is not mere technique or art, but is in harmony with the rhythms of the universe. The finished pottery is not merely materially created, but is a work of art blessed from another dimension.
自然 森羅万象
伝統的な陶芸の枠にとらわれず、作品を通じて日本文明のヒエラルキーに問いかけます。
日本文明の伝統的なヒエラルキーに対する意識を持ちながら、新たなる価値観や社会的メッセージを作品に込めています。
山下公敏の陶芸は、日本文明の枠組みを超え、新たなる視点やアイデンティティを陶芸の中に昇華させています。
日本文明の伝統と現代の融合を象徴し、新たなる文化の一端を切り開いています。
自然的な美のうつくしさと同時に、未来への希望や新しい可能性を表現し、独自の視点で未来への探求を続けています。
Not bound by the boundaries of traditional ceramics, we question the hierarchy of Japanese civilization through our artwork.
While maintaining an awareness of the traditional hierarchy of Japanese civilization, he incorporates new values and social messages into his work.
Kimitoshi Yamashita’s ceramics transcend the framework of Japanese civilization, sublimating new perspectives and identities into his ceramic art.
His work represents a fusion of the traditional and contemporary aspects of Japanese civilization, opening up a new cultural dimension.
It expresses the natural beauty of beauty as well as hope for the future and new possibilities, and continues to explore the future from its own unique perspective.
The work is truly a form that has undergone a mystical transformation; it not only has a material form, but it contains the essence of all things Shinra, and its very existence itself plays the echoes of the universe.
It is not mere technique or art, but is in harmony with the rhythms of the universe. The finished pottery is not merely materially created, but is a work of art blessed from another dimension.
